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Moons seem to be a theme this week, so I am trying out different media and techniques. This time, a set of three 6x6" moons using oil on oil paper, to be mounted on 6x6" panels. One more moon to go - silver moon in a winter landscape to go in a silver frame I just found. I love painting on a black background now.
One mistake to correct or burn - I used actual varnish instead of retouch varnish on the two earlier 6x6" moon panels. They are not looking good as the oil paint was not dry enough for varnish. I will wait and see what happens... The new "Nicola Storm" is looking ok so far, I am just waiting for it to dry before the next layer. Next - "Tracey's Daisies" in oil on a 12x12" cradled panel. This time I will follow the rules: grisaille in shades of grey, and let it DRY. Then glaze a transparent light yellow over all +and patch in the additional colours with minimal blending.
I really liked the tumble of rowboats near Granville Island back in 2004. I painted an 8x10" study in 2013, and I am finally getting around to doing the larger version. This canvas is the 20x24" where I first tried to lay the boats over a sunset. I am planning to use palette knives and acrylic again, hoping the cool wet weather will help make that successful this time. I used black gesso to give me a fresh start. I sketched with a blue watercolour pencil, so I can make lots of corrections on those boat shapes. I see some already, e.g. the missing boat on the right side. Continuing on October 1:
The low placement of the row of boats left a large black space above, so I added a water horizon and moon with reflections. I used white PanPastel to try out the hightlights as it is easy to modify with a moldable grey eraser. Good so far... I took the painting outside to spray the pastel with workable fixative spray. Oops - the can needs a lot of shaking to prevent drips. Then I knocked the sprayer end off the can had a toxic air issue in the studio. How much other damage can I possibly do in one day? Well, I could try knife painting on precise shapes instead of as an abstract form or background. Then switch to soft brushes to fix the issues caused by the knife. Then I might decide that I really prefer oils and do the next layer in a grey scale instead. OK, oil wins. :) |














